Released soon after Abbey Road, known for one track already taking an obscure look back on the Fab Four's split-up.
However, most I wonder what would've happened if Jon Anderson of Yes had contributed to Crimson even more than in the beginning of title piece here - could they'd become the clearly most creative constellation in progressive music history then?!?
Listened to both on old disc and 40th Anniversary Remix by Steven W. which makes many sounds and words very much more possible to detect.
as my Autumn Album # 19:1
by kinda chakra based evaluation
most Whole Soulful piece : LIZARD part A) PRINS RUPERT AWAKES
most Introspective Dreamlike piece : LADY OF THE DANCING WATER
most
Expressively Amusing piece : HAPPY FAMILY
most Beautifully Lovable piece : LIZARD part B) BOLERO
most Mighty Strongfelt piece : CIRCUS (incl. Entry of the Chameleons)
most Sexy Teasing piece : INDOOR GAMES
most Stable Solid piece : LIZARD part C) THE BATTLE OF GLASS TEARS
This is more jazz than before and maybe after... First I found the album less exciting or beautiful, but the more I listen the more I'm inclined to put it as King C:s most interesting and well-crafted record. Every shape of Crimson seems to be integrated extremely tight, almost all the time, while otherwise rather outspread to each piece's character.
Reminds me most of :
Mahavishnu Orchestra
Yes
Gentle Giant
Grieg
Ravel
Whole Album
(4) compositions
(7) instrumentations
(6) singin' /playin' feelin'
(5) lyrics (incl titles)
(7) variation
(7) synchronization
(5) cover /concept
(4) historical importance
= 45
I now give 1-7 for each cathegory
where 3 is good and total possible 8 x 7 = 56 never exist(?)
0W0
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