During last months I've seen 27 episodes of very First Season (only
twelve to go...)
Here's my personal estimation of which episodes give life to the
most marvellous ideas
Also mention the main psychological state I believe is an essential key
for each [if it's already obvious - see it as a reminder!]
1. TRIGGERS IN LEASH (episode 3)
with Ellen Corby
by Don Medford and Richard Carr
based on Allan Vaughan Elston
key state : intervention
2. THE CASE OF MR. PELHAM (episode 10)
with Tom Ewell
by Alfred Hitchcock and Francis Cockrell
based on Anthony Armstrong
key state : identity /identities
3. INTO THIN AIR (episode 5)
with Patricia Hitchcock
by Don Medford and Marian Cockrell
key state : illusion
4. BREAKDOWN (episode 7)
with Joseph Cotten
by Alfred Hitchcock and Francis Cockrell
based on Louis Pollock
key state : helplessness
5. AND SO DIED RIABOUCHINSKA (episode 20)
with Claude Rains
by Robert Stevenson
based on Ray Bradbury
key state : consciousness
6. SANTA CLAUS AND THE TENTH AVENUE KID (episode 12)
with Barry Fitzgerald
by Don Weis
based on Margaret Cousins
key state : responsibility
7. THE DERELICTS (episode 19)
with Robert Newton
by Robert Stevenson
based on Terence Maples
key state : karma
8. A BULLET FOR BALDWIN (episode 14)
with John Qualen
by Jus Addiss
based on Joseph Ruscoll
key state : directedness
9. PREMONITION (episode 2)
with John Forsythe
by Robert Stevens and Harold Swanton
key state : avoidance
10. WHODUNIT (episode 26)
with Alan Napier
by Francis M. Cockrell
based on C.B. Gilford
key state : synchronization
11. DON'T COME BACK ALIVE (episode 4)
with Sidney Blackmer & Virginia Gregg
by Robert Stevenson and Robert Dennis
key state : expectation
12. THERE WAS AN OLD WOMAN (episode 25)
with Estelle Winwood
by Robert Stevenson
based on Jerry Hackady
key state : nonchalance
13. THE LONG SHOT (episode 9)
with Peter Lawford
by Robert Stevenson and Harold Swanton
key state : substitute
14. THE BIG SWITCH (episode 15)
with Sam Dunleavy
by Don Weis
based on Cornell Woolrich
key state : control /uncontrol
15. THE OLDER SISTER (episode 17)
with Joan Lorring
by Robert Stevens
based on Lillian de la Torre
key state : saving (someone from)
16. SAFE CONDUCT (episode 21)
with Jacques Bergerac
by Juss Addiss
key state : trust
17. SHOPPING FOR DEATH (episode 18)
with Jo Van Fleet
by Robert Stevens
based on Ray Bradbury
key state : madness
18. BACK FOR CHRISTMAS (episode 23)
with John Williams
by Alfred Hitchcock
based on John Collier
key state : (un)predictiveness
19. HELP WANTED (episode 27)
with John Qualen featuring Lorne Greene
by James Neilson
based on Stanley Ellin
key state : loyalty
20. THE CHENEY VASE (episode 13)
with Darren McGavin
by Robert Stevens
key state : possession
21. REVENGE (episode 1)
with Vera Miles
by Alfred Hitchcock and Francis Cockrell
based on Samuel Blas
key state : delusion
22. THE PERFECT MURDER (episode 24)
with Mildred Natwick
by Robert Stevens
based on Stacy Aumonier
key state : gluttony
23. PLACE OF SHADOWS (episode 22)
with Mark Damon
by Robert Stevens
key state : guilt
24. YOU GOT TO HAVE LUCK (episode 16)
with Marisa Pavan
by Robert Stevens
based on S.R. Ross
key state : (mis)understanding
25. GUILTY WITNESS (episode 11)
with Judith Evelyn
by Robert Stevens
based on Morris Hersham
key state : overkill
26. SALVAGE (episode 6)
with Gene Barry
by Jus Addiss and Richard Carr
based on Fred Freiberger
key state : stupidity
27. OUR COOK'S A TREASURE (episode 8)
with Beulah Bondi
by Robert Stevens and Robert Dennis
based on Dorothy Sayers
key state : (home) blindness
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