from each other, leaving me with quite a confused picture of Iran /Teheran.
Though all three follows the pattern of riding rhapsodic between humans
interactions, it's like watching three very different worlds.
Two of them are made by even the same director, where earlier portrait
feels like a nightmare and later portrait seems a charmful story. Well,
of course he as well as the culture could have changed alot during
fifteen years...?
TAXI TEHERAN
by Jafar Panahi 2015
5 Joy (Happy)
4 Conflict (Grumpy)
3 Thrill (Sneezy)
5 Process (Sleepy)
6 Humour (Dopey)
4 Idea (Doc)
5 Mystery (Bashful)
3 Beauty (SnowWhite)
= 35
THE CIRCLE
[DAYEREH]
by Jafar Panahi 2000
1 Joy (Happy)
7 Conflict (Grumpy)
3 Thrill (Sneezy)
6 Process (Sleepy)
1 Humour (Dopey)
3 Idea (Doc)
5 Mystery (Bashful)
2 Beauty (SnowWhite)
= 28
TASTE OF CHERRY
[TA'M E GUILASS]
by Abbas Kiarostami 1997
1 Joy (Happy)
6 Conflict (Grumpy)
4 Thrill (Sneezy)
5 Process (Sleepy)
2 Humour (Dopey)
5 Idea (Doc)
6 Mystery (Bashful)
2 Beauty (SnowWhite)
= 31
I give from 1 to 7 stars
again by 8 aspects of dwarfs
they become maximum 56 stars
0W0
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